The Audi A6 E-Tron Concept Is A Long-Range EV With A Confusing Name

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Image: Audi

Audi’s electric range is finally taking shape, now that the E-Tron GT and Q4 E-Tron have joined the existing E-Tron crossover. And in case you thought the E-Tron branding couldn’t possibly get more puzzling, Audi just revealed a concept of the A6 E-Tron it expects to hit showrooms sometime in the next two years.

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It’s bothering my obsessive-compulsive tendencies that E-Tron now exists as a standalone nameplate and a version of existing Audi models, but I’ll try my best to keep that down to focus on the concept itself, which looks pretty good. The A6 E-Tron debuted at the Shanghai Auto Show today, and marks the first Audi we’ve seen based on the company’s Premium Platform Electric architecture.

Audi calls the A6 E-Tron a sportback, which followers of the brand may argue actually make it more of an A7 by nature. According to Audi, the A6 name was chosen to link this car to one of the brand’s most historically significant models, and dimensionally it’s equivalent to the existing A6. Here I am again talking about the car’s name — you just can’t get away from it with these new electric Audis.

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Image: Audi

The design you see here is reportedly 95 percent representative of the final model, which isn’t bad news considering that the A6 E-Tron cleans up for the most part. Sure, it’s derivative in places — the high beltline of the profile evokes the departed Ford Fusion in my mind’s eye, and the way the headlights meet the grille — I’m sorry, the inverted face, as Audi calls it — strikes me as remarkably similar to the Mustang Mach-E’s furrowed brow. Neither of these familiarities are necessarily bad though. Don’t hold your breath for images of the interior yet — Audi is saving those for later.

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Image: Audi

Audi designers say the tautness of the roofline and width of the track on this concept will be scaled back slightly ahead of production, though the black trim near the floor that looks like a cutaway panel will be retained. It’s a neat visual trick that slims the car down somewhat, and I like the way it trails toward the rear bumper. There are projectors at the corners that beam light at the ground to greet passengers and signal turns that may or may not make it to the final iteration. There’s a precedent for similar tech in road cars already, though, so it wouldn’t be inconceivable if it did come to pass.

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In terms of performance figures, Audi is mostly keeping those close to the chest for now. This concept packs a pair of electric motors combining for 469 horsepower and 590 lb-ft of torque. That’s projected to get the A6 E-Tron to 62 mph from a standstill in under four seconds.

Illustration for article titled The Audi A6 E-Tron Concept Is A Long-Range EV With A Confusing Name
Image: Audi

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Turning to range, Audi claims the A6 E-Tron will return more than 700 km on a full charge (434 miles), though under the generous WLTP cycle. The E-Tron GT is rated for 298 miles by that same measure, so the A6 E-Tron is sure to bring a huge range improvement to the brand even if the actual, real-world distance falls short of the WLTP-based projection. For reference, the latest Tesla Model S starts at an EPA-estimated 412 miles of range.

The A6 E-Tron’s efficiency is helped by an ultralow drag coefficient of 0.22 — one of the lowest out there, matching Mercedes-Benz’s A-Class — though there’s no confirmation on whether those slight exterior changes to the production car will dent that somewhat. Like other new electric Audis, it supports 800-volt peak charging that aims to replenish 300 km of range in just 10 minutes.

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As far as timing of the sedan’s arrival, for now Audi is saying only that its first PPE-based cars will emerge in the second half of next year. That will likely begin with the Q6 E-Tron, before this A6. In the meantime, I’m going to try and work out a flowchart to make sense of all these E-Trons.

Mecum’s live Indy auction scores record sales of $74 million

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mecumThe top-selling 1965 Shelby GT350R Prototype on the auction block | Mecum Auctions photos

Touting “a triumphant return to live auctions,” Mecum Auctions reported results for its Indianapolis event of $74 million in sales of collector cars and Road Art memorabilia, a historic best result for the company’s flagship sale.

The overall sell-through rate was more than 90 percent, Mecum said, with 78 percent of about 1,800 vehicles hammered sold. 

The high point of the auction was the resounding sale of the 1965 Shelby GT350R Prototype – the famous Flying Mustang driven in competition by Ken Miles – which rang the bell with a $3.85 million sale, the highest known price ever paid for any Mustang.  The sale eclipsed that of the Steve McQueen Bullitt Mustang sold by Mecum six months ago. 

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mecum1966 GT350 convertible was another Shelby that reached into 7 figures

“The car exists as the first Shelby R-Model competition car built and the first Shelby Mustang to win a race, easily qualifying it as the most historically significant Shelby Mustang in the world,” according to Mecum’s Indy results news release.

Another Shelby Mustang that hit 7 figures was the 1966 Shelby GT350 convertible, a highly original car that was one of only four GT350 convertibles built for 1966 and the first one by serial number.  It sold for $1.1 million.

Among the top 10 collector cars sold at the auction, five were Shelbys. 

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mecum1964 Shelby 289 Independent Competition Cobra hit $990,000

The most-highly valued car at the sale, a 1965 Ford GT Competition Prototype Roadster, GT/109, which was the only open GT40 to compete in the 24 Hours of Le Mans, was a no-sale when the high bid of $7.5 million did not meet reserve.  Owned by Dana Mecum, the head of the auction company, it was the second time the race car failed to sell at a Mecum auction.

The 33rd annual Indianapolis auction was the first live event for Mecum since the pandemic shutdown.  Usually held in May, the auction was postponed until July 10-18.  The results are higher than the May 2019 sale at the Indianapolis Fairgrounds, which scored a then-record $70.4 million in total sales.

The auction was held under strict pandemic protocols, according to Mecum, with protective masks, hand sanitizers and social distancing. Online sales were strong, Mecum said, with 346 vehicles sold to online-only bidders with a total of $10.3 million.

A 1965 Ferrari 275 GTS was the second-place top seller

“We put forth tremendous effort to follow, meet and exceed all of the safety protocols necessary to provide a safe environment to conduct a successful, full-scale live auction. Not only did we succeed, we raised the bar,” said Frank Mecum, director of consignments.  “By enhancing both our on-site and live-online bidding processes, we were able to open so many new doors and allow everyone to participate in whichever way made the most sense for our customers.

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“The results speak for themselves: the auction in Indy was the annual event’s best outcome ever, and I think I can speak for everyone here at Mecum in saying that we are thrilled to be back with live auctions for our customers and fans alike.”

The top-10 highest sellers for the Indy 2020 auction were:

  1. 1965 Shelby GT350R Prototype at $3.85 million
  2. 1965 Ferrari 275 GTS at $1.43 million
  3. 1966 Shelby GT350 convertible at $1.1 million
  4. 1964 Shelby 289 Independent Competition Cobra at $990,000
  5. 2018 Ford GT at $946,000
  6. 1965 Shelby GT350 Paxton Prototype at $880,000
  7. 1966 Shelby GT350 Paxton fastback at $852,500
  8. 1963 Rolls-Royce Silver Cloud III drophead coupe at $726,000
  9. 1971 Ferrari 365 GTB/4 Daytona at $715,000
  10. 2011 Ferrari 599 GTO at $698,500

The top-10 highest-selling Road Art items were:

  1. Cobra Powered by Ford Autographed Banner at $53,100
  2. Ford A-1 Pylon Used Cars and Trucks Dealership Porcelain Neon Sign at $40,120
  3. 1967 Le Mans Starting Flag Embroidered Silk at $36,580
  4. Ford A-1 Used Cars Double-Sided Porcelain Neon Sign at $30,680
  5. 1965 Shelby American 427 Cobra Sunburst Wheels/Blue Dot Tires at $29,500
  6. “Daytona Coupe” Original Bronze Sculpture by J. Paul Nesse at $29,500
  7. “Miles Ahead” Original Bronze Sculpture by J. Paul Nesse at $25,960
  8. Ford Jubilee Dealership Single-Sided Porcelain Neon Sign at $25,960
  9.     Cobra Powered by Ford Autographed Banner at $53,100
  10. Ford A-1 Pylon Used Cars and Trucks Dealership Porcelain Neon Sign at $40,120

RELATED:  Only GT40 roadster raced at Le Mans is on Mecum’s Indy docket

(All results include auction fees)

Mecum’s next live auction will be the recently announced Kissimmee Summer Special slated for August 27-29 at Osceola Heritage Park in Kissimmee, Florida, with 1,000 collector vehicles expected.

For more information, visit Mecum’s website.

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YouTuber Building An ‘Eleanor’ Mustang Replica Has Car Taken Away For Trademark Issues

Illustration for article titled YouTuber Building An Eleanor Mustang Replica Has Car Taken Away For Trademark Issues

I can’t say I have much interest in replicas of the hero car from the 2000 movie Gone In 60 Seconds, a customized 1967 Mustang fastback named “Eleanor,” because it’s been done a billion times and, frankly, it’s just not that interesting a car. What is interesting about that particular car, though, is that is is a copyrighted and trademarked design, and the owner of those copyrights and trademarks will, it seems, take your car if you dare to build one. At least that’s what happened to a well-know car-building YouTuber.

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The YouTube channel in question is the popular B is for Build, and the project was to take a 2015 Mustang GT, remove the body, and replace it with a 1967 Mustang fastback body. Not a bad resto-mod project, and one that would certainly be tricky to do properly, so you can see why the idea was chosen.

Illustration for article titled YouTuber Building An Eleanor Mustang Replica Has Car Taken Away For Trademark Issues

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B is for Build decided to make the car into a replica of the Eleanor Mustang from the (let’s face it, pretty crappy) 2000 Nic Cage vehicle about vehicles, Gone in 60 Seconds, as that car has a sort of cult following and, when it comes to YouTube videos, it makes sense to do things that will attract viewers.

Now, it’s not like there’s a shortage of Eleanor replicas out there; hell, people have even turned shitty econoboxes into them. Carroll Shelby even built some for a while, but there were plenty of questionable things happening there, and back in 2004 the holder of the Eleanor copyright, Denice Halicki, sued Shelby and forced the company to stop production.

That’s not unreasonable. A company like Shelby that was building Eleanor replicas and selling them for up to $150,000 should be paying some sort of license fees to the holders of the car’s copyright, I’d think. It’s very clearly a business venture and is using that car’s cachet and look and feel to sell cars.

The B is for Build situation I’m less certain about. Sure, money is still being made, though far less than Shelby could have potentially made, but a one-off build for a YouTube channel strikes me as needlessly aggressive, especially when the penalty is having the car seized, as appears to have happened here.

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Of course, copyright holders are required to defend their properties, and on Halicki’s own website, their enforcement of this is very clearly and proudly stated:

“Denice Shakarian Halicki runs her companies, franchises, and brands with faith and strength of believing.

She is a Producer and the gasoline behind the 2000 box office hit, “Gone in 60 Seconds,” starring Nicolas Cage, Angelina Jolie, Giovanni Ribisi and Robert Duvall and of course Eleanor the star car character.

Denice and Eleanor WON a Ninth Circuit Ruling in 2008, with a Published Opinion by Judge Miner… setting new copyright law protection for car character’s look/image as they appear in their movies, television and comic books against infringers. Which helped the Batmobile’s look/image to be copyright protected against counterfeit infringers in its 2015 Ninth Circuit Ruling WIN, with a Published Opinion by Judge Sandra S. Ikuta… where she quotes from 1966 Batman TV Series: As Batman so sagely told Robin, “In our well-ordered society, protection of private property is essential.”

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I mean, they even wrote both tenses of “win” in all caps, so you know they mean it.

While I’ve heard it suggested that Disney has some ownership of the copyright, since it was a Disney movie. It wasn’t just a Disney movie; it was a Disney movie that lost $212 million, even.

Man, that looks dated.

What’s odd is how many other movie cars that likely have similar protections seem to be built as replicas on a regular basis: Volkswagen Beetles turned into Herbies, for example, are common and also a Disney property.

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Bullitt Mustangs are built with some regularity, as are Back to the Future DeLoreans, or even Blues Brothers Mopar cop cars, and yet they don’t seem to be policed as aggressively as Eleanors, which are arguably much less iconic than those other cars.

I’ve reached out to Disney for comment, and will update if I hear back.

In the meantime, just take this as another reason not to bother hacking up a nice fastback Mustang into an Eleanor.